This Is My Jam

We've just signed up to thisismyjam a new website that lets you pick and display your pick of new (and sometimes not so new) music. Every week we'll be picking our favourite tunes form around the Island for your listening pleasure.  So here's our first pick! Click the pic below to see and feel free to follow us.

Mental Deficiency new music vid featuring Wyldling

So the Mental Deficiency guys have a new video up featuring the one and only Wyldling! Read her earlier interview with PastieBap here.  this is the sort of cross promotion we love, like when your 2 best mates eventually get it on.  It's so wrong that its almost right.  
The video itself feature the kind of subtle humour we've come to expect from the MD guys blending toe-sucking with silver thong gags galore.



Hopefully Wyldling will be getting the old gig on the go soon, but in the meantime heres the latest demo:


 Mental Def have a few gigs coming up that's always good to shill:

Upcoming Gigs

Feb

11

2012

Supporting Alestorm

Venue: Speakeasy Bar

Town/City: Belfast

Country: Northern Ireland

.

Feb

18

2012

Dead Wing Promotions Festival

Venue: The Cellar Bar

Town/City: Draperstown

Country: Northern Ireland

.

Jul

14

2012

Curse the Gods of Summer II (All Day Event)

Venue: The Pint

Town/City: Dublin

Country: Republic of Ireland

Jilly St. John on Music, Life and Wyldling

She's been a model, she currently writes a column for YourDerry magazine, she organises and promote gigs and she's even tried her hand at interviewing and presenting.  Oh and occasionally she finds time to sing.  Her previous band No Mean City created a huge buzz and won a slot through The Redbull Bedroom Jam, ultimately leading to playing on-stage at major festivals around the UK such as Download and T in the Park.  You might have heard of Jilly St. John but pretty soon she’s going to make sure you know the name Wyldling.


So a lot of people will know you from No Mean City, now you're launching your own new band WYLDLING. So what have you been up to in the mean while?
It seems like yesterday since we were gigging in every nook and cranny in the country with NMC but it has been little over a year since the split! When we did split I immediately started looking for musicians to try and get a new band together, but that proved to be tougher than I'd anticipated. It's been difficult trying to find people with the same mindset as myself. I don't think they realise what goes into making a band a career until they try it for themselves. It takes over your life and not everyone's prepared for that. To make it my career has always been my goal. I decided to stay within the scene in order to keep my finger on the pulse. It wasn't hard for me, as a band on the border of the spotlight on the NI scene I got a lot of acts looking for gigs and advice based on our own quick rise. So, it was win win for me. I got to maintain my profile and help out a number of amazing bands who maybe weren't receiving the attention they should have been. This encompassed the 'Rocks Off' venture at Masons Bar which was aimed towards showcasing a certain standard of NI based bands and introducing new ones based on merit & quality alone. 
There is such a wealth of talent here in NI and I really felt the scene had stagnated in terms of what was being presented to us through other mediums. The aim is the same with the YourDerry section. Whilst I really enjoy this side of the scene though, I started to get the itch to perform myself again. It got to the point where I realised if I waited on the right people, I could be waiting for some time and time is precious to me. So I decided to just go ahead and start writing music again with friends only too aware that my musical existence could potentially only be online, but I had a plan for that scenario too *laughing*. Luckily though I'm writing with friends with the aim to go live in the not too distant future. It just seemed to fall into place naturally and I've never been more ready.

What can people expect from this new music and how does it differ from No Mean City?

I can only answer this question from my individual perspective of course. Given that I was and am the primary lyricist and performer for both these acts, I think it's natural that there will be some similarities. When it comes to stage performance, I think anyone would find it difficult to present themselves so abstractly different in terms of such a strong personality. I'm more aware of how strong that personality is now. Having said that, I feel there has been a massive amount of growth within myself in terms of writing. I think the fact that I'm more in control within Wyldling has allowed that to happen. When there are many writers there is always a lot of compromising involved, to ensure everyone is happy with what they are putting out there. I don't really like to compare the two as I'm very proud of both of them.
Wyldling, to me, is hooky, gritty and large! A culmination of rock and electro mainly, but I hope to experiment with sounds in the future. It's a sexier, more mature me!

So who or what is Wyldling?

The project does present itself currently as a solo act but there are other people involved on a collaborative level. I really hope that they can join me on stage when the time comes. It’s partly the reason I decided to use the name ‘Wyldling’ as opposed to putting myself out there as ‘Jilly St John’. It provides myself, and my collaborators, with flexibility in terms of the set up; whilst crediting all those involved as they can lend themselves to the umbrella. Everyone wins. As for my collaborators? All will be revealed in due course!
Waiting On Water by Wyldling

What influences have spurred on the new project?

There are sooo many different influences for me! I love music as a whole and listen to everything from soul and motown to hip hop and electro right through to metal, ska and everything that falls in between. My only criteria being that it's good, actually good. I like music that you can feel in your bones, be it through a bad ass bass line or heart felt relatable lyrics. I like honesty within music. I think it's really important that you can connect to what you're listening to and/or performing. As far as direct influences go for Wyldling, I've not set out to sound like anything else in particular, I like to separate a little for that. You need something different to allow you room to stand out. It's very important to me that no one can pin point it to sounding like one artist. The only potential direct influences are feelings and situations within my own life, that and the fact that I love a HUGE gritty sound that you can really rock out and get your teeth into!

What are the advantages and challenges of operating from Derry and Northern Ireland in general?

Wow, where to begin? I think the size of NI in general is a massive advantage, in that if you really work hard and you have what it takes you can easily become a big fish in a small pond. Which is fantastic, when NI gets behind you they really do it with gusto. I feel though that there is a hidden danger to this. When surrounded by so much praise and publicity here, it can make the transition outside NI to the UK and Ireland a difficult one. Why would you wanna sleep in a van and play to two people when you can fill a venue with adoring fans at home? Not to mention the expense involved when starting all over again on the mainland UK. I've seen a few acts fall prey to this and come home disheartened, only to be lifted up again in NI. They then never leave, which is a shame. You gotta take the rough with the smooth and keep going.
Then there's the flipside to the NI scene. Those who aren't recognised for their talent and support. It's quite a tight circle that operates within NI, particularly within the Belfast scene, and it can be difficult to infiltrate to say the least and more so if you aren't from there or have connections there. However, I've noticed a small change in this recently. Small, but change none the less, change is good.

How much of a part does social media and networking play when trying to launch a band like Wyldling?

We live in an age where our lives generally revolve around social media be it in your personal life or as a business. The whole world seems to be online. Given this lifestyle revolution I feel that social media has never been more important for bands and artists and even more so for young acts. There are pros and cons to this, the first and foremost pro being that you can directly contact those who seemed to be out of reach within the industry only a decade or so ago. In the past bands and artists had to rely on being at the right place at the right time and being "discovered", whereas you can now be more proactive about who you want to hear your work.

This also has had it's downside though in that acts have become more dispensable, due to the sheer number of them out there. The labels don't have to search anymore, they have bands approaching them with ready built fan bases and the rest of it. The reason social media is so important to me personally is due to the fact that without fans we'd all essentially be nothing. Don't get me wrong, I'd still be writing for my own pleasure if they weren't there as it's my passion, my love; however without demand and support there would be no bookings, press interest. It's like "If a tree falls in the forrest and no one is there to hear it, does it still make a sound" conundrum. For me, it has paid off to be in touch with those interested in what I'm doing and to provide that personal touch, besides, I love those people. Without them I would never have achieved half of what I have so far. I'm forever indebted!

Who are your NI "ones to watch" for 2012?
I've come across a wealth of talent over 2011, some of which are sadly no longer together and some of which are brand new on the scene. I think I'm gonna mention a couple actually! Dying Breed are a brand new band from the north coast who I discovered only a few weeks ago, I was so bowled over by their huge sound and versatile vocals straight away! I think if they work hard they could make some great developments this year. Sons Of Calibre, from the greater Belfast area, are currently working on their debut release and I got a sneak peek, it's beautiful! Last but absolutely not least, for me it's got to be Derry act Intermission! Now some people may say I'm biased with this act *laughing*, but I'd like to take this opportunity to say that before I knew them as friends I was always in awe of their talent. 'Kharma 45'?? That came before I got to know these boys. They really have come into their own in the last year with the evolution of their sound and performance skills. They are growing and evolving all the time and the interest is definitely picking up the pace! Finally! Frontman Glenn is like a one man orchestra! I think this could be their year!
Also watch out for a band called Wyldling. MEGA! Haha!

What's next for Jilly St. John and Wylding ? 

In the immediate future I'll be concentrating on getting ready for the live shows with the band which I'm aiming to have ready by the early spring of this year. After that... who knows? I'm ready for it to go all the way and will be aiming towards making that happen! It's gonna take a lot of hard work and perseverance, but I'm built for it! *laughing* 

Let Go by Wyldling
www.facebook.com/wyldlingmusic
www.twitter.com/wyldling
www.soundcloud.com/wyldling

The NI top 6 (things) of 2011

This was originally intended as a top 5 but I've just realised its actually 6 so there you go!  Also I'd state these are in no particular order but I'm sure Sigmund Freud would argue there's no such thing.  As such I present PastieBaps NI top 6 of 2011!


Mental Deficiency

This was the year of Mental deficiency!  The got management, they released a bloody brilliant album, they filled the Black box for the album launch and they invaded the Edinburgh fringe festival.  They also managed to support larger bands in a variety of venues.  The most amazing part of this feat is that they weren't just random bands they were supporting, they were bands that would be playing to the exact crowd that would appreciate their music, thus exposing them to a much larger audience.  But more importantly an audience that would appreciate their musical stylings!  I was there for both The Rubber bandits and the Electric six gigs and both times they played to fairly sizable audiences and i would suspect at least half of the audience at these gig would've been people that had never seen Mental Def before.  It'll be in an interesting 2012 with the difficult second album looming and a watchful eye waiting to see where they go from here.

Pigstock
Expanding to 2 days and with an improved lay-out this year saw a stellar line up and improved attendance for Pigstock. In my opinion much better than Glasgowbury as the lack of outside influences and the real 'Small Festival' feel. I enjoyed it so much I'll be attending next year regardless of line up. Also regardless of that ridiculous hill you have to walk up to get there.



MTV EMA's

The visitors came. The stars came.  the whole thing went off without a hitch and it was a brilliant way to show case Belfast to the rest of the world.  Snow Patrol done what they do and people who like Snow Patrol told me it was good.  I was in Belfast with a few mates that weekend and the buzz was evident around the city. The build up was fantastic with Music Week putting on a spate of gigs showing off the great and good and creating a great deal of hype (and debate) around the province. 

The Black Box
Best venue in Belfast.   Again showing its versatility the Black Box put on no end of Brilliant events throughout 2011.  Poetry, Magicians, Gigs, Cabaret, Album launches, fundraisers the list goes on and on.  it really seems that there very little that can't be put on in this venue.  It's versatility is unbounded.  The green room i felt really came into its own as well making this a regular spot for people even when there wasn't something on in the Black Box itself.  A great place for some coffee, a few beers and even a slice of Pizza.


 I also need to mention the amount of performances put on in the green room ranging from comedians to Art displays and everyhting in between. A place with a real community feel but located so centrally is great to have and a great place to show off how far Belfast has come in passing years. A great venue in a great location and a real asset to the Cathedral Quarter as a whole.  They recently received news that they had secured £25,000 in funding to help them reach their aim of being self sufficient so it seems like we'll have the Black Box for the fore see able future.

The Wonder Villains
I saw them at Glasgowbury early in the afternoon on one of the side stages and was blown away.  Next they were playing the Oh Yeah centre on culture night then BAMM! They're playing on Radio 1 in the Maida Vale studios! For a band so young they've accomplished a lot so far.  They're insanely catchy brand of all out retro indie pop was bound to catch on and in 2011 it did just that.  I can't wait to catch them playing bigger and bigger gigs in 2012.


Belfast Culture Night
Brilliantly publicised through Social networking sites that ultimately lead to a word of (virtual) mouth campaign that at times had filled my time line with people talking about it. This ensured that Culture night was a huge success! The Streets of Belfast and particularly the Cathedral Quarter where absolutely hoaching with people and the mixture of music, art, plays, food and everything else. Everywhere you went was something else going on and all for free!  Now for next year they just need to get the licensing arangements so we can wander between venues with our drinks!

How Does Being From Northern Ireland Affect Your Music Career?

Pastiebap.com asked Mental Deficiency guitarist Alex Kazam for his thoughts on how being from Northern Ireland affects his band.

1. Could you tell me a bit about how you promote your band and how/if

that's changed over the course of your career?

Like most unsigned acts who have self released an album and spend a lot of money on sexy stage-wear our promotional budget is a tad thin. Therefore we've relied heavily on the internet to promote the band. Facebook, Twitter, Youtube and our own website have been essential to reaching new fans and interacting with current ones. We have been lucky to get some publicity in various radio shows and print publications over the years but the internet is definitely where we've had the most success; it's the one constant in our publicity strategy and the main cost is time.

2. What obstacles have you come across being in a band from Northern Ireland?

The main obstacle that is unique to Northern & Southern Ireland is the Irish Sea. Getting the money together for us to travel over the Edinburgh Fringe for example was not easy.

3. How do you think Northern Ireland's music scene compares to others ie.

Southern Ireland/UK?

It's hard to define a music scene and it's difficult to determine what aspects make one better than another. If we're going purely on the quantity of quality bands from the countries you mentioned then the UK is of course leagues ahead of both the Northern Ireland and the South. They've got more variety of genres, magazines, festivals; you name it. A lot of that is down to the population size over there. When you take into consideration the smaller numbers over here however I think we do still have a wealth of talent and some extremely hard-working bands, both north and south of the border.

4. Do you think it's harder for an alternative band to gain support from

the local press/promoters?

I guess it depends how alternative. Support and exposure are two different things. Gaining exposure through local press and promoters is relatively easy - one of the advantages of our smaller population size. You just have to hound them a bit or find a friend of a friend who knows somebody that can help you out. From my own experience, I play in a band that's pretty misunderstood by NI's mainstream music media - probably because it's hard to pigeonhole us into a particular niche (or because they don't like us!). Despite this we've managed to gain some exposure that would be considered widespread on a local level, such as being interviewed for the Across the Line radio show. Getting press or promoters to SUPPORT you is different, this means they'll actively help you out on a very regular basis and endorse you a bit more overtly. This requires a lot more legwork on the networking front, and creating music that the people you want to network with are into.

5. How was supporting Electric Six for you (the whole experience) and what

do you think it'll do for your band?

Supporting Electric Six was a great experience! I really enjoy their music and Mental Deficiency are often compared to them. We made a lot of new fans at that gig and and we always have fun playing to large crowds. In the long run, it's a great thing to have on your CV. I know that the manager of Alestorm, another international band we're supporting next year, was impressed that we were opening for Electric Six which helped convince him we were a good choice for the opening band. Good support slots help you get more support slots which is all all good for your profile.

6. What do you think of Shine Productions and MCD buying over Limelight

and Katy's? (I read your blog on this and was just wondering what you

think it'll mean for bands playing these venues in the future)

It's a good thing. They've guaranteed the venues' future as a live venue and both MCD and Shine appear to be business-savvy enough to ensure they continue to be mainstays of Belfast's nightlife. I'm looking forward to seeing what changes they make to the club nights which have long been in need of an overhaul.

7. What do you think of the talks of scrapping the BBC Introducing NI

radio show and do you think there is adequate support for NI bands?

This is a difficult question as it presents with me a conflict. I think the BBC is an institution in need of major reform, to the extent that I feel a publicly funded TV/Radio company is an archaic idea and that the whole thing should be scrapped. However, we can/have benefited from exposure on it; in particular we've been featured on both BBC Introducing and Across the Line. We're very grateful for this exposure, especially to James Loveday for playing us on his monthly slot on BBC Introducing. However I get the impression that, in Mental Deficiency's case, the regular BBC staff aren't really digging our music and scrapping Introducing NI would have little effect on us. Either that or they buy into the myth about us that all our songs are x-rated and therefore won't play them (7 of the 10 songs on the album are radio-friendly).

That said, if other bands from NI do benefit from it then I wish them the best of luck - more power to them. If the BBC continues to exist then keeping the show on the air it would be a good thing as there's no harm in it. At the same time if it gets scrapped it's not a major loss - properly utilizing the internet as a marketing tool can achieve a lot more for a band than a few plays on the radio in the middle of the night. To be honest though I think the entire BBC should be scrapped for the greater good, even if my band does stand to benefit from its continued existence.

8. Any general thoughts on the NI music scene and how/if you think being

from Northern Ireland affects your chances of success?

It's like any scene; it's got good, bad and ok bands. A few of my favourites would be Roysta, Darkest Era, Gama Bomb, Gascan Ruckus, DutchSchultz, LaFaro, Sinocence and The Answer. There's a ton of NI bands who have sadly called it a day who I also really like.

The Internet has democratized the music business somewhat. Despite our awkward location I believe any band can find success with enough savvy, perseverance and a clear idea in their heads of what they stand for.